This past week I have been wading through what seemed like a
never-ending mire of books about Anglo-Saxons. This is a period which has been variously
and confusingly described as both ‘Late Antique’ and ‘Early Medieval’. Clearly
those poor Anglo-Saxons didn’t know when to set their alarm clocks for. Somewhat
to my surprise I have found myself enjoying this rapid submergence into
Anglo-Saxon culture. It was with some delight, therefore, that I managed to
unearth an article about Anglo-Saxon tiles.
In the Yorkshire Museum (located unsurprisingly perhaps in
York) there are on display a selection of tiles believed to date from the
eleventh century. The tiles are thought to have come from what might have been
the south transept of All Saints’ Church, Pavement. There are various geometric
designs and patterns in relief and coloured with different glazes. Particularly
striking is the olive green colour which was produced by combining a
transparent (yellow) lead glaze over a grey fabric.
The tiles found at York are believed to be part of a series
with examples also located in Canterbury, Winchester and Peterborough. Their presence
therefore at such a small and less high-status church can lead to some interesting
conclusions. The famous Coppergate helmet (c.750-75) included an invocation to
All Saints’ Church suggesting that the origins of the church could be traced
back to the eighth century. It is then a possibility that All Saints’ church was
a pre-Conquest minster and the use of the tiles marked it out as a church of
some significance.
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