Her self-confessed best feature was the ability to stamp and
twist her feet in intricate ways to ring the tiny bells that were tied about
her ankles. You see Sybil was a dancer, the offspring of a minstrel father and a
musical mother. And in that family which so prided itself on its romantic and
fantastical abilities Sybil was found sadly wanting. Not that her family would
tell her such, for she was a good daughter and a hard worker, but they could
not deny the fact that hers was certainly not the face which would inspire any
great chivalric feats of arms.
She was a simple, good-humoured and sturdy sort of girl, not
prone to screaming or fainting-fits or peculiar flights of fancy. That was
until she fell in love. For Sybil suffered from the particular misfortune of
falling in love with her best friend. To her knowledge this was possibly one of
the most ignoble forms of love to find oneself in. Courtly love, as sung by her
father, was full of tales of burning passions for wandering troubadours or of
dashing knights who slowly win the admiration of a fine lady. There was
something altogether disappointing with falling in love with the familiar
features of a friend who would never dream of directing heated glances your
way, let alone composing a poetic verse to your beauty.
It was the kind of love that subtly crept upon you, slowly,
silently, until when finally you are aware of its presence it feels as if it
has always been there. It was the kind of love that developed from a friendly
pat on the back and careless offer of a bandage in times of injury, to anxious
hovering by a candlelit bedside and shrieking shrilly for more hot water. It
was the kind of love that could simultaneously make you flush with tongue-tied
embarrassment and gabble on about mindless nonsense.
But the worst hardship for Sybil was that it was the kind of
love of which could never ever be spoken about. It was a secret and she was not
a secret-keeping kind of girl. For to tell a stranger you love them you lose
nothing except perhaps a little pride. But to tell a friend you love them you
risk losing everything that was there before that sneaky and contrary emotion called
love reared its head. So she held her tongue and would always hold her tongue.
Yet still she would think to herself as she listened with chin cupped in hand
to the tales sung in her father’s clear voice, that he could not be compared to those heroes of courtly love. He was no
hero for a story, he was infinitely better than all of them.
And so who was this friend who had captured her plain and
honest heart? Who was this paragon of virtue and beauty? Well he was naught but
the juggler’s son. But he was everything to Sybil de Walter.
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